Clearwater is home ground. Some of my earliest Gulf Coast commissions were painted here, and I still take work across the city and out toward the beaches.
Work here has included long road-facing exterior walls composed to read at driving speed, and interior corridor work where oversized botanical forms are carried the length of a circulation space to turn a pass-through into something worth walking slowly.
Clearwater and the surrounding beach communities have a lot of hospitality and tourist-facing businesses, which is exactly where a photographed wall earns its cost back.
Corridors, waiting areas and the awkward leftover walls between doorways are frequently the best value in a building — nobody budgets for them, and they're the surfaces people actually spend time in front of.
On the exterior side, long single-storey buildings along a road are ideal: big shapes, high contrast, legible at speed.
Send a wall photo and rough dimensions for a real price range. Concept approved before painting. Prep, primer and protective coatings quoted as separate line items so nothing is hidden in the base price.
Actual projects, not stock examples.
Yes — Clearwater Beach, Indian Rocks, Indian Shores and the surrounding beach communities are all inside my normal working area.
Yes, and they're often the best-value walls in a building. Long circulation spaces suit continuous designs that develop as you walk past them.
Some of my earliest Gulf Coast commissions were painted in Clearwater, and I've continued taking work in the city since.
Yes — restaurants, bars and tourist-facing businesses are a core client type, and Clearwater has a lot of them. Photo-op walls are usually what these clients want.
Send a photo and rough dimensions and I'll come back with a real number — no obligation, no sales call.